[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$f591B8OcQyn4wigr2gqUYHNHO-YS5Gbj2gYrukf0HqRU":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":11,"question":18,"related":19,"source":27,"type":47},[],"2023-10-26 05:41:35",101681163,[8,9,10],"埃斯库罗斯","索福克勒斯","欧里庇得斯",{"count":12,"courseId":13,"courseImg":14,"courseName":15,"workId":16,"workName":17},7,"8e462bf0f62dfd58bf1654eafd9d8400","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002F5ed30d661840427ee81c83a5705453cf.png","美学","80035de9e70f40718a118b9e95eb7e60","3.4测验","古希腊三大著名悲剧作家包括:()",[20,29,34,39,44,48,56],{"answer":21,"createTime":5,"id":22,"options":23,"question":26,"source":27,"type":28},[],101681144,[24,25],"正确","错误","悲与喜是人生情感存在的基本方式,是人生审美体验中出现的普遍情感.( )","v1",0,{"answer":30,"createTime":5,"id":31,"options":32,"question":33,"source":27,"type":28},[],101681152,[24,25],"人们在悲喜情感中,通过否定性的方式,超越自我,认识生活,体悟人生.( )",{"answer":35,"createTime":5,"id":36,"options":37,"question":38,"source":27,"type":28},[],101681157,[24,25],"悲剧审美形态仅限于戏剧:( )",{"answer":40,"createTime":5,"id":41,"options":42,"question":43,"source":27,"type":28},[],101681162,[24,25],"作为审美形态的悲剧,并不限于悲剧艺术,还广泛地存在于历史和现实社会生活以及人的存在实践中.( )",{"answer":45,"createTime":5,"id":6,"options":46,"question":18,"source":27,"type":47},[],[8,9,10],1,{"answer":49,"createTime":5,"id":50,"options":51,"question":55,"source":27,"type":47},[],101681165,[52,53,54],"冲突","抗争","毁灭","没有抗争就没有悲剧,()、()与()是构成悲剧内涵的三个和谐因素",{"answer":57,"createTime":5,"id":58,"options":59,"question":63,"source":27,"type":47},[],101681168,[60,61,62],"首先,悲剧通过对人生存在的否定性体验,从而展现对人生存在价值的肯定","其次,悲剧的审美冲突体现的是人与自然、人与社会以及人自身存在的冲突和超越","最后,悲剧的情感体验式、一种人生实践存在的深层体验","悲剧作为审美特征,所体现的主要特征有哪些:()"]