[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fgBfuR6pIt9iCVm5NS1aqnb46V1fIZ4DpvZ3KM-X7p2Y":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":16,"related":17,"source":27,"type":28},[],"2023-05-15 20:30:21",10789947,[8,9,10,11],"Rubinstein","Lhevinne","Horowitz","Cortot",{"courseId":13,"courseImg":14,"courseName":15},"fd64db7ada84b744fbfc6d59aec20f2c","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002Fce047911f4890d248028fc76f273af88.jpg","音乐鉴赏","结构式最为严谨的《降A大调波兰舞曲作品53号》由哪一位演奏家所作?( )",[18,29,38,47,50,59,68,77,86,95],{"answer":19,"createTime":5,"id":20,"options":21,"question":26,"source":27,"type":28},[],10789944,[22,23,24,25],"《命运交响曲》","《英雄交响乐》","《献给爱丽丝》","《安魂曲》","下列最适合给6~10岁的孩童欣赏的是哪一部作品.()","v1",0,{"answer":30,"createTime":5,"id":31,"options":32,"question":37,"source":27,"type":28},[],10789945,[33,34,35,36],"和声","节奏","旋律","结构","莫扎特的《laudate dominum》特别强调出了什么属性的美感.()",{"answer":39,"createTime":5,"id":40,"options":41,"question":46,"source":27,"type":28},[],10789946,[42,43,44,45],"齐夫拉","奥利弗·刘 易斯","麦克费林","王羽佳","利用人声演奏了《野蜂飞舞》的是下列哪一位演奏家.()",{"answer":48,"createTime":5,"id":6,"options":49,"question":16,"source":27,"type":28},[],[8,9,10,11],{"answer":51,"createTime":5,"id":52,"options":53,"question":58,"source":27,"type":28},[],10789948,[54,55,56,57],"里赫特","卡钦","拉赫玛尼诺夫","科特","下列哪一位演奏家演奏了《第二钢琴协奏曲》的巅峰和极限.()",{"answer":60,"createTime":5,"id":61,"options":62,"question":67,"source":27,"type":28},[],10789949,[63,64,65,66],"听觉","习惯","天赋","联觉","构成乐感的主要因素是.()",{"answer":69,"createTime":5,"id":70,"options":71,"question":76,"source":27,"type":28},[],10789950,[72,73,74,75],"长笛","短笛","小提琴","长号","紧张度最低的乐器是什么.()",{"answer":78,"createTime":5,"id":79,"options":80,"question":85,"source":27,"type":28},[],10789951,[81,82,83,84],"低音","中音","中高音","高音","下列哪一项是一般情况下人类不敏感的音域.()",{"answer":87,"createTime":5,"id":88,"options":89,"question":94,"source":27,"type":28},[],10789952,[90,91,92,93],"良好的听觉","良好的理解能力","良好的乐感","持续而稳定的联觉对应关系","音乐若要能够引起明确的内容理解,则需要有.()",{"answer":96,"createTime":5,"id":97,"options":98,"question":103,"source":27,"type":28},[],10789953,[99,100,101,102],"听众音乐素养的限制","音乐表达的主观性","音乐表达的模糊性","音乐表达的不确定性","下列哪一项不是听众在很多情况下不能正确理解音乐的原因.()"]