[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fXkWjDszwuFpBSTNjmDnFqh4MBdI5cZOBwoqIK1aRJXc":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":16,"related":17,"source":27,"type":28},[],"2023-11-25 20:42:38",108559873,[8,9,10,11],"《刀马舞》","《梦后》","《晴朗的一天》","《第五钢琴协奏曲》",{"courseId":13,"courseImg":14,"courseName":15},"cb678a84e440e217a58fd97d13833ed2","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002F686bcc87f2a5d5525928890edc845501.png","聆听心声：音乐审美心理分析","以下哪段音乐选自《蝴蝶夫人》?()",[18,29,38,47,56,65,68,77,86,95],{"answer":19,"createTime":5,"id":20,"options":21,"question":26,"source":27,"type":28},[],108559861,[22,23,24,25],"没有表现性","没有概念性","没有语义性","没有形象性","音乐音响的两个基本表现特征为没有视觉性和()","v1",0,{"answer":30,"createTime":5,"id":31,"options":32,"question":37,"source":27,"type":28},[],108559863,[33,34,35,36],"弦乐队强奏的巨大力度","绵延性的连贯节奏","钢琴大幅度的波浪型琶音","音乐舒展、宽广的节奏","《c小调第二钢琴协奏曲》第一乐章通过()表现大海的广阔视野",{"answer":39,"createTime":5,"id":40,"options":41,"question":46,"source":27,"type":28},[],108559864,[42,43,44,45],"莉莉&middot;克劳斯","格伦&middot;古尔德","图雷克","里赫特","()把巴赫的曲子演绎出了悲凉的风格",{"answer":48,"createTime":5,"id":49,"options":50,"question":55,"source":27,"type":28},[],108559866,[51,52,53,54],"三个","四个","五个","六个","郑京和对马斯涅的《沉思》的演绎安排了()主题,以表现情感的发展过程",{"answer":57,"createTime":5,"id":58,"options":59,"question":64,"source":27,"type":28},[],108559868,[60,61,62,63],"红烧肉","闷热","真丝","巧克力","根据联觉心理,下面与高音相对应的是()",{"answer":66,"createTime":5,"id":6,"options":67,"question":16,"source":27,"type":28},[],[8,9,10,11],{"answer":69,"createTime":5,"id":70,"options":71,"question":76,"source":27,"type":28},[],108559874,[72,73,74,75],"贝多芬","柴可夫斯基","柏辽兹","德彪西","最早一批使用自约性符号在作品中规定一个主题的作曲家有()",{"answer":78,"createTime":5,"id":79,"options":80,"question":85,"source":27,"type":28},[],108559875,[81,82,83,84],"圣桑《动物狂欢节》","贝多芬《第五号交响曲》","斯特拉文斯基《火鸟》","杜卡斯《小巫师》","迪斯尼《幻想2000》中表现米奇偷懒乱施法术的配乐是()",{"answer":87,"createTime":5,"id":88,"options":89,"question":94,"source":27,"type":28},[],108559876,[90,91,92,93],"感觉的能力","耐受的能力","注意的能力","知觉的能力","低音部和中音部放在一起形成半音关系后,人们听着就把两个音部联系在一起了,这是()在起作用",{"answer":96,"createTime":97,"id":98,"options":99,"question":104,"source":27,"type":28},[],"2023-11-25 20:42:39",108559877,[100,101,102,103],"符号化","文学化","真实音响模拟","音乐性模仿","二胡独奏曲《赛马》是用()的手法表现音乐对象"]