[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fopA0YzQvGS9NLO0tAnrJhajgrFq3kN8hi4BRlPtWdcc":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":18,"related":19,"source":29,"type":30},[],"2024-04-13 15:24:26",138140091,[8,9,10,11],"幻想风格","现实风格","惊悚风格","喜剧风格",{"count":13,"courseId":14,"courseImg":15,"courseName":16,"workId":17,"workName":16},148,"73394ecb41e94c2560bf98047b1d7637","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002Fbf9f5f97b6b9470b45b0b302db06a2c5.jpg","影视鉴赏","exam_118227158","()类电影尤其具有"窗户"功能",[20,31,34,43,52,61,70,79,88,97],{"answer":21,"createTime":5,"id":22,"options":23,"question":28,"source":29,"type":30},[],138140090,[24,25,26,27],"人物性格和故事","空间和人物性格","时间和空间","时间和人物性格","巴赞认为戏剧化的电影模式打破了现实生活的整体感主要表现在()","v1",0,{"answer":32,"createTime":5,"id":6,"options":33,"question":18,"source":29,"type":30},[],[8,9,10,11],{"answer":35,"createTime":5,"id":36,"options":37,"question":42,"source":29,"type":30},[],138140092,[38,39,40,41],"向外和向内的力","向上和向下的力","向前和向后的力","向左和向右的力","在《战舰波将金号》中,敖德萨阶梯片段主要是表现出()的冲突",{"answer":44,"createTime":5,"id":45,"options":46,"question":51,"source":29,"type":30},[],138140093,[47,48,49,50],"精英阶层","工人阶层","市民阶层","农民阶层","王朔、冯小刚、尤小刚等导演所创作的电影、电视剧都是文化转型年代()崛起的一个重要标志",{"answer":53,"createTime":5,"id":54,"options":55,"question":60,"source":29,"type":30},[],138140094,[56,57,58,59],"造字法","书法","用字法","笔法","爱森斯坦提出其蒙太奇理论受到了中国( )的启示",{"answer":62,"createTime":5,"id":63,"options":64,"question":69,"source":29,"type":30},[],138140095,[65,66,67,68],"视野","时间","情绪","情境","电影艺术将西方经典美术中难以表现的()成功地表现了出来",{"answer":71,"createTime":5,"id":72,"options":73,"question":78,"source":29,"type":30},[],138140096,[74,75,76,77],"政治体系","社会阶级矛盾","中国传统文化","小农经济模式","《黄土地》展开了对()的反思",{"answer":80,"createTime":5,"id":81,"options":82,"question":87,"source":29,"type":30},[],138140097,[83,84,85,86],"知电影之其然","知电影之所以然","艺术修养、人文素质等思维能力的养成","心灵的升华","影视鉴赏的第三个境界是()",{"answer":89,"createTime":5,"id":90,"options":91,"question":96,"source":29,"type":30},[],138140098,[92,93,94,95],"《艺术家》","《红色沙漠》","《天堂电影院》","《雨中曲》","()隐喻过教会控制电影的历史",{"answer":98,"createTime":5,"id":99,"options":100,"question":105,"source":29,"type":30},[],138140099,[101,102,103,104],"整段叙述","分段叙述","转折叙述","直接叙述","《党同伐异》整个电影剧作的结构特点是()"]