[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$ftEwevX18B8hgyjqas7DtoNvdsv9j-h1HIPLzfB02z48":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":19,"related":20,"source":30,"type":31},[],"2024-05-09 20:16:35",142386613,[8,9,10,11],"他的画硬的出奇,很有笔力","笔太老实,没有刀刻一般的力量","不折不扣的真正西洋画","只注意了笔,而忽略了墨",{"count":13,"courseId":14,"courseImg":15,"courseName":16,"workId":17,"workName":18},8,"564f178c795e5eed0e8801cee5799cef","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002Ffe1dbe5ac3ee14bb30d2817ed0f706c4.jpeg","大学语文（学银）","83af1bcd82064b0592663a2f409e545d","章节检测-第13单元","在《傅抱石先生的画》一文中,老舍先生对傅抱石先生的画作持什么态度",[21,32,35,44,54,63,72,81],{"answer":22,"createTime":5,"id":23,"options":24,"question":29,"source":30,"type":31},[],142386612,[25,26,27,28],"言情,爱情,人情,其实意义是一样的","《红楼梦》其实就是宝黛爱情悲剧","人情小说,表明小说并不局限于私人感情,而是人世间的广泛意义上的情感","《红楼梦》重在探讨人类的爱情,所以用"人情小说"字样","《红楼文化有三纲》一文中说,20世纪20年代鲁迅首创《中国小说史略》时,他将第二十四章整个儿专给了《红楼梦》,而其标题,不但不是"爱情小说",连"言情"也不是--用的却是"人情小说".请问这是什么原因","v1",0,{"answer":33,"createTime":5,"id":6,"options":34,"question":19,"source":30,"type":31},[],[8,9,10,11],{"answer":36,"createTime":5,"id":37,"options":38,"question":43,"source":30,"type":31},[],142386614,[39,40,41,42],"赵望云先生会着色,会用墨,也相当会构图,也具有中国画特有的笔力","丰子恺先生的画永远另有风趣,但是一律用重墨,没有深浅","林风眠先生因西画的器材缺乏,改用中国纸和颜色作画,画出了很好的国画","关山月先生的用笔相当泼辣,他能放也能敛","在《傅抱石先生的画》一文中,老舍将多人的画作与傅抱石的画作进行比较,下面属于老舍先生观点的是",{"answer":45,"createTime":5,"id":46,"options":47,"question":52,"source":30,"type":53},[],142386615,[48,49,50,51],"本文所谓三纲,是指玉纲、红纲、情纲","红楼文化的三纲之间没有什么联系","曹雪芹所谓"大旨谈情"是指"男女爱情"","中国人的审美眼光,是以"红"为世界上最美的色彩","关于《红楼文化有三纲》一文中的观点,以下表述错误的是",1,{"answer":55,"createTime":5,"id":56,"options":57,"question":62,"source":30,"type":53},[],142386616,[58,59,60,61],"宝玉才是一部《石头记》的真主角","作者喜引晚唐韦庄的诗来解说《红楼梦》之所以被称为"红楼"--长安春色谁为主,古来尽属红楼女.美人情易伤,暗上红楼立","在中华文学中,"情"是内心,与外物、外境相对而言,现代的话,略如主观、客观之别","刘鹗认为,雪芹之大痛深悲,乃是为"千红"一哭,为"万艳"同悲.周汝昌感叹刘鹗是了不起的明眼慧心之人","关于《红楼文化有三纲》一文,作者对玉、红、情的介绍,正确的是",{"answer":64,"createTime":5,"id":65,"options":66,"question":71,"source":30,"type":53},[],142386617,[67,68,69,70],"傅抱石所画的人物表现了艺术中一般的、美的力量","傅先生的画墨守成规,缺乏改进与创新","傅先生只长于画人物,不长于画山水","傅抱石的画很有笔力,有了画人物的笔力,就有了美的马达,腾空潜水无往不利","在《傅抱石先生的画》一文中,老舍先生对傅抱石先生画作的表述,以下错误的是",{"answer":73,"createTime":5,"id":74,"options":75,"question":80,"source":30,"type":53},[],142386618,[76,77,78,79],"去把握到中国画的笔力","必须用中国纸和颜色作画","去下一番工夫学西洋画","题旨高于一切","在《傅抱石先生的画》一文中,老舍先生认为,凡有意改造中国绘画的都应当",{"answer":82,"createTime":5,"id":83,"options":84,"question":89,"source":30,"type":53},[],142386619,[85,86,87,88],"丰子恺:只注意了笔,忽略了墨","谢趣生:笔力很弱,不能教人们从一线一点中找到自然之美与艺术之美的联结处","顾恺之:画得硬,但是笔力仍然是不够","赵望云:会着色,会用墨,会构图,但缺乏中国画应具的笔力","在《傅抱石先生的画》一文中,老舍先生指出了许多画家的不足,属于其理解的正确选项有"]