[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$f8mRlW88WRgBJlrZtqZGmsTUsmZp7bdLLfkImrDQ_vRk":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":10,"question":17,"related":18,"source":29,"type":30},[],"2024-11-10 22:54:40",165371291,[8,9],"是,巴赫增加这些乐器来制造一个大的高潮","不,巴赫一旦决定运用三声部织体,他就严格地保持到结尾",{"count":11,"courseId":12,"courseImg":13,"courseName":14,"workId":15,"workName":16},5,"8370574cb3e2bf5e1cad89cbcaea7918","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002Fb1d0ffbfaefb54801df42b41c7c76be6.jpg","外国音乐史与名作赏析","work_36164344","赏析专栏六:巴赫夫人作什么","在这个乐章中,三个线条的织体(低音、众赞歌曲调、弦乐旋律)是否通过增加木管和铜管乐器而有扩展",[19,31,39,42,50],{"answer":20,"createTime":21,"id":22,"options":23,"question":28,"source":29,"type":30},[],"2024-12-29 10:58:43",165371289,[24,25,26,27],"a句8拍、 b句16拍、 c句16拍、 d句8拍","a句16拍、 b句8拍、 c句16拍、 d句8拍","a句8拍、 b句16拍、 c句8拍、 d句16拍","a句16拍、 b句8拍、 c句8拍、 d句16拍","乐队主题一共分abcd四句.以第一遍(00:00-00:40)为例,各句的起点分别为a句00:00、b句00:14、c句00:20、d句00:27.大提琴和低音提琴以一拍一个音的方式在陈述(d句后半段加密为一拍两个音),请仔细聆听音乐,说说看这四句分别为几拍长","v1",0,{"answer":32,"createTime":5,"id":33,"options":34,"question":38,"source":29,"type":30},[],165371290,[35,36,37],"一个","两个","三个","在乐章开始处你听到了几个音乐线条或声部",{"answer":40,"createTime":5,"id":6,"options":41,"question":17,"source":29,"type":30},[],[8,9],{"answer":43,"createTime":5,"id":44,"options":45,"question":49,"source":29,"type":30},[],165371292,[46,47,48],"众赞歌的曲调在织体的底啊,弦乐在顶端,低音提琴和大提琴在中部","众赞歌的曲调在织体的中间,弦乐在顶端,低音提琴和大提琴在底部","众赞歌的曲调在织体的顶端,弦乐在中间,低音提琴和大提琴在底部","贯穿这个部分的哪一点是正确的",{"answer":51,"createTime":21,"id":52,"options":53,"question":58,"source":29,"type":30},[],165371293,[54,55,56,57],"abbccd","acbbcd","acdccb","acdccd","乐队第四遍(01:52-2:50)同样使用abcd四句旋律素材,但由于与众赞歌旋律对位的需要,进行了前后调整和重复.请仔细聆听音乐,说说看,调整后的顺序是哪一种"]