[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fcmABxlG5dJu74ak2PFc3e4vaDPpSxD1v9Kd00kYAJ-k":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":19,"related":20,"source":30,"type":31},[],"2024-12-18 14:18:19",172004683,[8,9,10,11],"元代文学家钟嗣成","明代戏曲家徐渭","清代戏曲家顾彩","元代杂剧家贾仲明",{"count":13,"courseId":14,"courseImg":15,"courseName":16,"workId":17,"workName":18},22,"2edff4f3f38cdfff341b19303c25eb94","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002F6d54a59b0bd2248d68c8fea3f529b252.jpg","艺术鉴赏与实践·中国古典戏曲专题","work_39852810","中国古典戏曲学习回顾作业(一)","著名的戏曲论著《录鬼簿》,是由下列哪位文学家著录的",[21,32,41,47,56,59,68,77,86,95],{"answer":22,"createTime":5,"id":23,"options":24,"question":29,"source":30,"type":31},[],172004676,[25,26,27,28],"牛小姐","蔡伯喈","赵五娘","张广才","在元代高明《琵琶记》剧情中,宁可糟糠自餍也要奉养公婆的是","v1",0,{"answer":33,"createTime":5,"id":34,"options":35,"question":40,"source":30,"type":31},[],172004677,[36,37,38,39],"吴江派、临川派和昆山派","文采派、本色派和昆山派","本色派、临川派和昆山派","吴江派、吴江派和昆山派","吴梅先生在《中国戏曲概论》中,把明代戏曲家分成三个派别,分别是",{"answer":42,"createTime":5,"id":43,"options":44,"question":46,"source":30,"type":31},[],172004679,[45,45,45,45],"","《浣纱记》中一些精彩的昆曲唱段,成为被历代昆曲曲友最为普遍熟识和齐声歌咏的曲牌.下列《浣纱记》知名唱段中,哪一个曲牌迄今仍是昆剧演员入行的第一练习曲",{"answer":48,"createTime":5,"id":49,"options":50,"question":55,"source":30,"type":31},[],172004681,[51,52,53,54],"汤显祖","张凤翼","沈璟","梁辰鱼","下列明清戏曲剧作家中,哪位被认为是独得"曲圣"魏良辅真传之人",{"answer":57,"createTime":5,"id":6,"options":58,"question":19,"source":30,"type":31},[],[8,9,10,11],{"answer":60,"createTime":5,"id":61,"options":62,"question":67,"source":30,"type":31},[],172004685,[63,64,65,66],"南北曲宗","南曲之宗","北曲之祖","元曲之祖","王实甫《西厢记》被后世推重为",{"answer":69,"createTime":5,"id":70,"options":71,"question":76,"source":30,"type":31},[],172004687,[72,73,74,75],"明代弘治年间《西厢记》行本(弘治本)","清代大才子金圣叹批点本(金批本)","明代戏曲家王骥德的《新校注古本西厢记》(明笺本)","明万历八年徐士范《重刻元本题评音释西厢记》(徐刊本)","下列哪个通行的《西厢记》版本,把王实甫原本大团圆结局的五本二十折《西厢记》,缩减为四本十六折,使之变成震撼人心的古典悲剧",{"answer":78,"createTime":5,"id":79,"options":80,"question":85,"source":30,"type":31},[],172004689,[81,82,83,84],"两宋时期民间流传的说唱话本《西厢记》","金章宗时期董解元谱写的《西厢记诸宫调》","唐代大诗人元稹撰著的传奇《会真记》","明代戏曲家李日华的南曲《西厢记》","《西厢记》剧情抒写了布衣书生张珙与相国小姐崔莺莺的爱情故事.其故事原型来自于",{"answer":87,"createTime":5,"id":88,"options":89,"question":94,"source":30,"type":31},[],172004691,[90,91,92,93],"为了说明柳梦梅与杜丽娘梦中情缘是超自然力量作用的结果","为了给生、旦二人的奇缘、奇遇渲染上神话色彩","为了专门突出柳梦梅与杜丽娘梦中欢好是男女情欲难禁","为了有效地规避观众可能将二人情缘归于淫邪欲念的误区","在《牡丹亭·惊梦》一出中,汤显祖在生、旦相携而下,梦偕云雨之后,为什么还要特意安排花神盛装登场,以宾白点明这场春梦本是姻缘前定的心灵感应",{"answer":96,"createTime":5,"id":97,"options":98,"question":103,"source":30,"type":31},[],172004693,[99,100,101,102],"不平则鸣、嫉恶如仇的慷慨抗争","沉郁顿挫、伤时念乱的一腔孤愤","壮志难酬、针砭时弊的感喟沉吟","士为知己、生死相随的一点孤忠","在《牡丹亭》第十出"惊梦"中,汤显祖藉由杜丽娘的梦中情缘,寄托了自己怎样的人生价值观"]