[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$f8LA3AMhYGp_wWa1yA5HyytLpkz23StW9bSnpozbJ-uI":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":19,"related":20,"source":24,"type":25},[],"2025-06-14 20:23:06",200527565,[8,9,10,11],"激动不安","渴望","失望伤感","欢欣愉悦",{"count":13,"courseId":14,"courseImg":15,"courseName":16,"workId":17,"workName":18},3,"fd64db7ada84b744fbfc6d59aec20f2c","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002Fce047911f4890d248028fc76f273af88.jpg","音乐鉴赏","a605ba993df14e4b8a1117434563fa75","拉赫玛尼诺夫音乐的鉴赏","拉赫玛尼诺夫的《第二钢琴协奏曲》所传达的中心思想和感情中包括:()",[21,26,37],{"answer":22,"createTime":5,"id":6,"options":23,"question":19,"source":24,"type":25},[],[8,9,10,11],"v1",1,{"answer":27,"createTime":28,"id":29,"options":30,"question":35,"source":24,"type":36},[],"2025-06-14 20:23:07",200527572,[31,32,33,34],"拉赫玛尼诺夫","里赫特","卡钦","科特","下列哪位演奏家在《第二钢琴协奏曲》中使用了明显的强烈的强弱对比手法:()",0,{"answer":38,"createTime":39,"id":40,"options":41,"question":46,"source":24,"type":36},[],"2025-06-14 20:23:10",200527585,[42,43,44,45],"渐弱","渐长","渐强","渐缓","当我们在创作乐曲时,应采用下列哪一种变化手法来表达渴望或内心涌动的情感:()"]