[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fGxJp4bA2-1aSKkNK_HPqU4MYeU7ca6Utn1yMbaoVjPA":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":19,"related":20,"source":30,"type":31},[],"2025-11-07 23:00:32",230450158,[8,9,10,11],"现实主义对客观真实的追求","浪漫主义对主观情感的推崇","现代主义对意义深度的探索与随之而来的幻灭","古典主义对理性与秩序的尊崇",{"count":13,"courseId":14,"courseImg":15,"courseName":16,"workId":17,"workName":18},25,"53e1d2ef4961cca8eea3e23969ad2cb9","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002F03a579384a6dc297c89809b582fcc767.png","默认课程","work_47809517","章节测验:第三章 西餐原料加工技术","后现代主义文学思潮刻意消解深度模式,强调平面化、断裂感和复制性.这主要是对下列哪种思潮或倾向的反拨与延续?( )",[21,32,41,50,59,68,77,86,95,98],{"answer":22,"createTime":5,"id":23,"options":24,"question":29,"source":30,"type":31},[],230450150,[25,26,27,28],"独创性","稳定性","多样性","流变性","鲁迅在白色恐怖下频繁变更笔名,但其杂文依然能被读者识别.这一现象最能说明文学风格的哪一特征?( )","v1",0,{"answer":33,"createTime":5,"id":34,"options":35,"question":40,"source":30,"type":31},[],230450151,[36,37,38,39],"作家选择创作小说而非诗歌","作家在作品中表达了对社会不公的批判","作家在叙事中形成了独特的语言节奏和意象系统","作家出身于官宦世家,生活优渥","布封提出&quot;风格即人本身&quot;,强调风格的核心在于作家的创作个性.下列哪一选项最能直接体现这种&quot;创作个性&quot;在作品中的具体呈现?( )",{"answer":42,"createTime":5,"id":43,"options":44,"question":49,"source":30,"type":31},[],230450152,[45,46,47,48],"风格的形成完全依赖于作家的天赋","风格的多样性与稳定性是辩证统一的","风格的分类只能是相对的和模糊的","文学体裁从根本上决定了风格的形态","王安石评价杜甫诗歌&quot;无施不可&quot;,兼具平淡、绮丽、壮丽等多种风貌,但后人仍能从中辨析出其&quot;沉郁顿挫&quot;的主导风格.这最恰当地揭示了( )",{"answer":51,"createTime":5,"id":52,"options":53,"question":58,"source":30,"type":31},[],230450153,[54,55,56,57],"文学流派的形成必须依赖于明确的政治纲领","同一时代的文学流派可能因艺术追求不同而形成竞争格局","文学流派之间的差异根本在于作家的地域分布","大众传媒在流派形成中起到了决定性作用","在中国现代文学史上,&quot;文学研究会&quot;与&quot;创造社&quot;在反帝反封建的方向上一致,但创作倾向迥异.这一现象最能说明( )",{"answer":60,"createTime":5,"id":61,"options":62,"question":67,"source":30,"type":31},[],230450154,[63,64,65,66],"相近的艺术风格 &amp; 自觉结成的文学社团","相近的社会身份 &amp; 大众传媒的支持","自觉结成的文学社团 &amp; 相近的文学观念","相近的题材 &amp; 相近的艺术方法和技巧","一个文学流派的形成,往往需要多重要素的聚合.在&quot;南宋'九僧诗派'&quot;和&quot;现代'文学研究会'&quot;这两个案例中,它们形成的最主要共同要素分别是( )",{"answer":69,"createTime":5,"id":70,"options":71,"question":76,"source":30,"type":31},[],230450155,[72,73,74,75],"文学流派的形成完全不受民族和文化界限的限制","文学流派的影响力主要体现在其诞生地","一个流派的艺术方法可以成为其最鲜明的标志","流派的传播总是单向的,从强势文化流向弱势文化","意象派诗歌自觉接受中国古典意象诗歌的影响,主张以鲜明、凝练的意象入诗.这一事例最能说明( )",{"answer":78,"createTime":5,"id":79,"options":80,"question":85,"source":30,"type":31},[],230450156,[81,82,83,84],"文学思潮是少数天才作家个人意志的产物","文学思潮是文学传统自然演进的结果,与社会无关","文学思潮是特定时代精神与社会需求在文学领域的集中体现","文学思潮的兴衰完全由政治权力的更迭所决定","梁启超认为,凡能成&quot;潮&quot;之&quot;思&quot;,必有其价值并适合时代之要求.据此,对&quot;文学思潮&quot;最准确的理解是( )",{"answer":87,"createTime":5,"id":88,"options":89,"question":94,"source":30,"type":31},[],230450157,[90,91,92,93],"兼容性","弥漫性","先锋性","民族性","郑伯奇指出,中国新文学运动在短短十年间&quot;反复了西欧二百年中的历史&quot;.这突出体现了文学思潮的哪一特征?( )",{"answer":96,"createTime":5,"id":6,"options":97,"question":19,"source":30,"type":31},[],[8,9,10,11],{"answer":99,"createTime":5,"id":100,"options":101,"question":107,"source":30,"type":108},[],230450159,[102,103,104,105,106],"风格的形成是作家主体要素与作品客体要素高度交融的结果","&quot;感知世界方式的独特性&quot;是风格生成的内在起点","风格的成熟最终取决于作家对世界认识的广度和深度","风格的稳定性意味着作家一旦形成风格就永不再改变","寻找与创作个性相匹配的&quot;言语基调&quot;是风格确立的关键","关于文学风格的形成,下列哪些表述是正确的?( )(多选)",1]