[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fWO4oN6_vpU6AWdMR-5856s6lxM4shUEPnkavZoj700I":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":19,"related":20,"source":30,"type":31},[],"2025-11-24 21:50:23",240988577,[8,9,10,11],"表达了词人对悠闲生活的向往","抒发了词人离别的黯然神伤和对丈夫的思念","描绘了词人孤独一人的生活场景","表达了词人对未来生活的乐观态度",{"count":13,"courseId":14,"courseImg":15,"courseName":16,"workId":17,"workName":18},10,"da29a2aa15080f24ae3468c8b628ebec","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002F25b30343053994e8940089572d36015b.jpg","大学语文","work_48499291","作业20251124(凤凰台上忆吹箫)","下列对《凤凰台上忆吹箫》的整体情感主旨理解最准确的是哪一项",[21,32,41,50,59,68,77,80,89,98],{"answer":22,"createTime":5,"id":23,"options":24,"question":29,"source":30,"type":31},[],240988571,[25,26,27,28],"欢快愉悦","慵懒愁绪","激动兴奋","平静安宁","在李清照的《凤凰台上忆吹箫·香冷金猊》中,"香冷金猊,被翻红浪,起来慵自梳头"一句,描绘了词人起床后的哪种心境","v1",0,{"answer":33,"createTime":5,"id":34,"options":35,"question":40,"source":30,"type":31},[],240988572,[36,37,38,39],"用典","铺垫","烘托","渲染",""念武陵人远,烟锁秦楼"运用的表现手法是( )",{"answer":42,"createTime":5,"id":43,"options":44,"question":49,"source":30,"type":31},[],240988573,[45,46,47,48],"被翻红浪 红浪:红色被铺乱摊在床上,有如波浪","起来慵自梳头 慵:懒","念武陵人远 武陵人:指心爱之人,在此处指李清照","也则难留 也则:依旧","下列句中解释错误的一项是( )",{"answer":51,"createTime":5,"id":52,"options":53,"question":58,"source":30,"type":31},[],240988574,[54,55,56,57],"从事,担任","才干","空,白白地","关联;涉及",""非干病酒"中"干"的意思是( )",{"answer":60,"createTime":5,"id":61,"options":62,"question":67,"source":30,"type":31},[],240988575,[63,64,65,66],"休息一下","算了吧,算了吧","停止哭泣","不要再说","下列哪一项最准确地解释了"休休,这回去也,千万遍阳关,也则难留"中的"休休"",{"answer":69,"createTime":5,"id":70,"options":71,"question":76,"source":30,"type":31},[],240988576,[72,73,74,75],"闭上眼睛","睁开眼睛看远方","凝视着某一点","流泪",""惟有楼前流水,应念我、终日凝眸"中的"凝眸"指的是什么",{"answer":78,"createTime":5,"id":6,"options":79,"question":19,"source":30,"type":31},[],[8,9,10,11],{"answer":81,"createTime":5,"id":82,"options":83,"question":88,"source":30,"type":31},[],240988578,[84,85,86,87],"推动了词的豪放派发展","创立了词的婉约派风格","丰富了词的题材和内容","革新了词的格律和形式","李清照在词坛上的地位,主要得益于她( )",{"answer":90,"createTime":5,"id":91,"options":92,"question":97,"source":30,"type":31},[],240988579,[93,94,95,96],"《如梦令·常记溪亭日暮》","《声声慢·寻寻觅觅》","《一剪梅·红藕香残玉簟秋》","《醉花阴·薄雾浓云愁永昼》","李清照的词作中,最能体现其晚年生活的孤寂与凄凉的作品是( )",{"answer":99,"createTime":5,"id":100,"options":101,"question":106,"source":30,"type":31},[],240988580,[102,103,104,105],"词的娱乐功能","词的社会批判功能","词的抒情性和音乐性","词的教化作用","李清照的词学主张中,最为强调的是"]