[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fG2vApuWgu2tTR_5GEAu1M8K1eVv_-ueuU4RT9u0Gq2Y":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":19,"related":20,"source":30,"type":31},[],"2025-11-26 08:35:26",242028719,[8,9,10,11],"《中国本位的文化建设宣言》","《欧游心影录》","《中国基督教年鉴》","《中国文化的出路》",{"count":13,"courseId":14,"courseImg":15,"courseName":16,"workId":17,"workName":18},84,"53e1d2ef4961cca8eea3e23969ad2cb9","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002F03a579384a6dc297c89809b582fcc767.png","默认课程","exam_167905477","绘画里的中国:走进大师与经典","指出了"中国已经在文化领域消失了"",[21,32,35,44,53,62,71,80,89,98],{"answer":22,"createTime":5,"id":23,"options":24,"question":29,"source":30,"type":31},[],242028717,[25,26,27,28],"林风眠","徐悲鸿","蔡元培","林文铮","吴作人是()的学生","v1",0,{"answer":33,"createTime":5,"id":6,"options":34,"question":19,"source":30,"type":31},[],[8,9,10,11],{"answer":36,"createTime":5,"id":37,"options":38,"question":43,"source":30,"type":31},[],242028722,[39,40,41,42],"重庆","上海","长沙","桂林","1938年6月组建的漫画宣传队中,张乐平带领的宣传队在()",{"answer":45,"createTime":5,"id":46,"options":47,"question":52,"source":30,"type":31},[],242028724,[48,49,50,51],"精致细腻","色彩艳丽","大幅泼墨","工写结合","张大千作品的特点不包括()",{"answer":54,"createTime":5,"id":55,"options":56,"question":61,"source":30,"type":31},[],242028726,[57,58,59,60],"学习西方版画技巧","借鉴了传统中国画技巧","崇尚纯粹的艺术","关注现实","三十年代的木刻团体的最大特点是()",{"answer":63,"createTime":5,"id":64,"options":65,"question":70,"source":30,"type":31},[],242028728,[66,67,68,69],"色彩","形式和图案","解剖学","绘画主题","庞薰琹在创作时所关注的重点是()",{"answer":72,"createTime":5,"id":73,"options":74,"question":79,"source":30,"type":31},[],242028730,[75,76,77,78],"野兽派","立体主义","分离派","印象派","潘玉良的作品特点接近()的风格",{"answer":81,"createTime":5,"id":82,"options":83,"question":88,"source":30,"type":31},[],242028732,[84,85,86,87],"康有为","利玛窦","梁启超","端方","游离欧洲后提出了"求真"",{"answer":90,"createTime":5,"id":91,"options":92,"question":97,"source":30,"type":31},[],242028733,[93,94,95,96],"《牧羊人》","《沉思》","《吴湖帆》","《渔妇》","是雕塑家廖新学的代表作品",{"answer":99,"createTime":5,"id":100,"options":101,"question":106,"source":30,"type":31},[],242028735,[102,103,104,105],"轻","流","柔","实","黄宾虹认为国画在用墨方面应该强调的是()"]