[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fTDnm-Xpxku_-cFLqDZo9L5MZvWIVw7MQYVoXh9hEwKI":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":19,"related":20,"source":30,"type":31},[],"2026-04-05 17:44:32",334843929,[8,9,10,11],"词最早起源于民间,后来文人依照乐谱声律节拍而写新词,叫做"填词"或 "依声".词又称曲子词、乐府、乐章、长短句、诗余、琴趣","词有词牌,即曲调.词的结构分片或阙,不分片的为单调,分两片的为双调, 分三片的称三叠.依其字数的多少,又有"小令""中调""长调"之分","宋词是中国古代文学皇冠上光辉夺目的一颗巨钻.她以姹紫嫣红、千姿百态 的丰神,与唐诗争奇,与元曲斗妍,历来与唐诗并称双绝,都代表- -代文学之胜","宋词是继唐诗之后的又一种文学体裁,基本分为婉约派和豪放派两大类.婉 约派的代表人物有辛弃疾、苏轼、柳永等",{"count":13,"courseId":14,"courseImg":15,"courseName":16,"workId":17,"workName":18},35,"53e1d2ef4961cca8eea3e23969ad2cb9","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002F03a579384a6dc297c89809b582fcc767.png","默认课程","work_51873954","八声甘州·对潇潇暮雨洒江天","下面有关宋词常识的说法,不正确的一项是",[21,32,41,44,53,62,71,80,89,98],{"answer":22,"createTime":5,"id":23,"options":24,"question":29,"source":30,"type":31},[],334843927,[25,26,27,28],"对\u002F潇潇暮雨\u002F洒江天","是处\u002F红衰\u002F翠减","不\u002F忍登\u002F高临远","倚\u002F阑杆处","下列断句有误的一句是","v1",0,{"answer":33,"createTime":5,"id":34,"options":35,"question":40,"source":30,"type":31},[],334843928,[36,37,38,39],"一番洗清秋:一番风雨洗出了一个凄清的秋天","渐霜风凄残:秋风逐渐地凄凉迫近","是处红衰翠减:是花草凋零的地方","正恁凝愁:正这样的愁绪凝重,化解不开","下列翻译有误的一项是",{"answer":42,"createTime":5,"id":6,"options":43,"question":19,"source":30,"type":31},[],[8,9,10,11],{"answer":45,"createTime":5,"id":46,"options":47,"question":52,"source":30,"type":31},[],334843930,[48,49,50,51],"这首词章法结构细密,写景、抒情融为一体,以铺叙见长.词中思乡怀人之意绪,展衍尽致.而白描手法,再加通俗的语言,将这复杂的思绪表达得明白如 话","这首传颂千古的名作,融写景、抒情为- -体,通过描写羁旅行役之苦,表达了强烈的思归情绪,语浅而情深","本词是柳永同类作品中艺术成就最高的一一首,其中佳句"不减唐人高处"","首句篇头点题."倚阑干",与"对",与"当楼",与"登高临远",与"望",与"叹",与"想",都相关联,相辉映","下列对《八声甘州》分析有误的一项是",{"answer":54,"createTime":5,"id":55,"options":56,"question":61,"source":30,"type":31},[],334843931,[57,58,59,60],"宦途失落","怀古伤今","伤春惜别","羁旅游役之苦","柳永的《八声甘州》所表达的主要内容是",{"answer":63,"createTime":5,"id":64,"options":65,"question":70,"source":30,"type":31},[],334843932,[66,67,68,69],"《虞美人》(月下花前何时了)","《八声甘州》(对潇潇暮雨洒江天)","《水调歌头》(明月几时有)","《破阵子》 (醉里挑灯看剑)","在以下词作中,采纳铺叙手法描绘光景的是",{"answer":72,"createTime":5,"id":73,"options":74,"question":79,"source":30,"type":31},[],334843933,[75,76,77,78],"李煜","柳永","苏轼","辛弃疾","北宋第一个专事写词的作家是",{"answer":81,"createTime":5,"id":82,"options":83,"question":88,"source":30,"type":31},[],334843934,[84,85,86,87],"对潇潇暮雨洒江天","不忍登高临远","探年来踪迹","何事苦淹留","柳永《八声甘州》贯串全词的句子是",{"answer":90,"createTime":5,"id":91,"options":92,"question":97,"source":30,"type":31},[],334843935,[93,94,95,96],"拟人","比喻","夸张","借代",""是处红衰翠减,苒苒物华休"所运用的修辞手法是",{"answer":99,"createTime":5,"id":100,"options":101,"question":106,"source":30,"type":31},[],334843936,[102,103,104,105],"《漱玉词》","《乐章集》","《淮海词》","《稼轩词》","柳永的词集是"]