[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fXFRC6rab37AmHdXjn23CsfZwEIQhPl9keYjEEegMAaQ":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":18,"related":19,"source":23,"type":24},[],"2023-05-28 23:47:17",34020267,[8,9,10,11],"心理时长、实际时长、放映时长","放映时长、心理时长、实际时长","心理时长、放映时长、实际时长","放映时长、实际时长、心理时长",{"count":13,"courseId":14,"courseImg":15,"courseName":16,"workId":17,"workName":16},85,"73394ecb41e94c2560bf98047b1d7637","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002Fbf9f5f97b6b9470b45b0b302db06a2c5.jpg","影视鉴赏","exam_94461308","在观看《战舰波将金号》中的敖萨阶梯片段时,以下三个时长由长到短依次时()",[20,25,34,43,52,61,70,77,86,95],{"answer":21,"createTime":5,"id":6,"options":22,"question":18,"source":23,"type":24},[],[8,9,10,11],"v1",0,{"answer":26,"createTime":5,"id":27,"options":28,"question":33,"source":23,"type":24},[],34020268,[29,30,31,32],"政治体系","社会阶级矛盾","中国传统文化","小农经济模式","《黄土地》展开了对()的反思",{"answer":35,"createTime":5,"id":36,"options":37,"question":42,"source":23,"type":24},[],34020269,[38,39,40,41],"一次世界大战以后","20世纪80年代","20世纪50年代","二次世界大战以后","后现代主义诞生于()",{"answer":44,"createTime":5,"id":45,"options":46,"question":51,"source":23,"type":24},[],34020270,[47,48,49,50],"注重现实","非常尊重观众","善于引起强烈兴趣","一切从观众角度出发","所谓奇观化法则是指()",{"answer":53,"createTime":5,"id":54,"options":55,"question":60,"source":23,"type":24},[],34020271,[56,57,58,59],"《活着》","《黄土地》","《英雄》","《大红灯笼高高挂》","从()开始,中国电影造型美学开始崛起",{"answer":62,"createTime":5,"id":63,"options":64,"question":69,"source":23,"type":24},[],34020272,[65,66,67,68],"大都市白领","民族英雄","城市普通市民","乡村农民","冯小刚和王朔早期的电影作品主要集中于塑造()的形象",{"answer":71,"createTime":5,"id":72,"options":73,"question":76,"source":23,"type":24},[],34020273,[74,56,75,59],"《有话好好说》","《秋菊打官司》","张艺谋的电影在()之后逐渐向主流官方、大众文化靠近",{"answer":78,"createTime":5,"id":79,"options":80,"question":85,"source":23,"type":24},[],34020274,[81,82,83,84],"尊重现实时空的合理性","尊重现实的完整性","尊重现实逻辑意义上的合理性","尊重主观的表达","现代主义电影的特点是()",{"answer":87,"createTime":5,"id":88,"options":89,"question":94,"source":23,"type":24},[],34020275,[90,91,92,93],"《神话》","《阿甘正传》","《西蒙尼》","《淘金记》","下列哪一部电影是反思影像与现实关系的电影.()",{"answer":96,"createTime":5,"id":97,"options":98,"question":103,"source":23,"type":24},[],34020276,[99,100,101,102],"《苏州河》","《月蚀》","《周渔的火车》","《小武》","()不是现代主义电影"]