[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fHL3NvKspUkPeJgOWSsc5q7xh6wImCfMAye7Z_uW9lWM":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":11,"question":18,"related":19,"source":29,"type":30},[],"2023-06-06 07:38:55",48564004,[8,9,10],"阶梯式力度","持续式力度","渐变式力度",{"count":12,"courseId":13,"courseImg":14,"courseName":15,"workId":16,"workName":17},5,"8370574cb3e2bf5e1cad89cbcaea7918","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002Fb1d0ffbfaefb54801df42b41c7c76be6.jpg","外国音乐史与名作赏析","work_25942438","赏析专栏五:维瓦尔第与孤儿院","(0:00-0:29)回归段第一部分立刻用弱奏反复,第二部分也是.巴洛克时期典型而突然的力度转换被称做什么",[20,31,34,41,48],{"answer":21,"createTime":5,"id":22,"options":23,"question":28,"source":29,"type":30},[],48564003,[24,25,26,27],"4次","7次","5次","6次","(0:14-0:23)这是音乐的回归段,又称为叠句.请仔细聆听音乐,全曲这样类似的旋律段落一共出现了几次","v1",0,{"answer":32,"createTime":5,"id":6,"options":33,"question":18,"source":29,"type":30},[],[8,9,10],{"answer":35,"createTime":5,"id":36,"options":37,"question":40,"source":29,"type":30},[],48564005,[38,39],"高一些","低一些","(1:26-1:44)维瓦尔第转到了一个新调,并带回了回归曲式的第二部分.和它第一次出现相比,它的音高听上去是高了一些还是低了一些",{"answer":42,"createTime":5,"id":43,"options":44,"question":47,"source":29,"type":30},[],48564006,[45,46],"下行","上行","(1:51-2:01)这个旋律模进的音型是上行的还是下行的",{"answer":49,"createTime":5,"id":50,"options":51,"question":54,"source":29,"type":30},[],48564007,[52,53],"1:44","2:37","根据文章中引用的维瓦尔第的诗作,哪一段最像"乌云笼罩天空,电光闪闪,雷声隆隆""]