[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$f01fJEHy4RAbsvtbzzKOoT_4v3yNs0Zo3DPCcQDDXeDY":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":19,"related":20,"source":24,"type":25},[],"2023-05-11 13:05:08",5012869,[8,9,10,11],"对手戏的表现","交锋表现","抵触","对抗的外在表现",{"count":13,"courseId":14,"courseImg":15,"courseName":16,"workId":17,"workName":18},2,"8e01e695e877da0f31792dbe10f933e2","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002Fa0fbe1ce127b03c0e137b11cedb15646.jpg","舞台人生：走进戏剧艺术","094a796d9d0a40b491b0e8d91d14876d","二律背反,凸显差距——剧本人物胚胎的存在形式(五)","当人物的外部行动的对抗性强 ,对来自对方的攻击行为进行有力的反击的时候,这是()",[21,26],{"answer":22,"createTime":5,"id":6,"options":23,"question":19,"source":24,"type":25},[],[8,9,10,11],"v1",0,{"answer":27,"createTime":5,"id":28,"options":29,"question":34,"source":24,"type":35},[],5012870,[30,31,32,33],"矛盾关系","阶级关系","和谐关系","非矛盾关系","根据曹禺剧本中人物之间人物情感的距离,我们还可以把人物关系分成()",1]