[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fjzCIp5PVWzViD80THtwERp7q2AV4hce2JsnNRDXqxOE":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":18,"related":19,"source":29,"type":30},[],"2023-06-16 21:33:15",65962116,[8,9,10,11],"对白","京白","韵白","旁白",{"count":13,"courseId":14,"courseImg":15,"courseName":16,"workId":17,"workName":16},85,"269de236b0d3d68ecd3ff01c05537913","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002F9efb22ecb688274aec852c4fdd4dd71c.jpg","戏曲鉴赏","exam_78857166","用什么来指称京剧中普通的对白?()",[20,31,39,48,56,65,74,77,86,95],{"answer":21,"createTime":5,"id":22,"options":23,"question":28,"source":29,"type":30},[],65962110,[24,25,26,27],"梅兰芳","盖叫天","周信芳","谭歆柔","哪位戏剧大师提出"似我非我,我看我,我也非我.装谁像谁,谁装谁,谁就像谁."的名言?()","v1",0,{"answer":32,"createTime":5,"id":33,"options":34,"question":38,"source":29,"type":30},[],65962111,[35,36,10,37],"语言","行动","舞蹈","通过一次又一次的()来表现林冲的性格变化",{"answer":40,"createTime":5,"id":41,"options":42,"question":47,"source":29,"type":30},[],65962112,[43,44,45,46],"感情","样貌","特征","个性","对剧中人物的()进行充分恰当的表露才是好的戏剧作品",{"answer":49,"createTime":5,"id":50,"options":51,"question":55,"source":29,"type":30},[],65962113,[52,53,10,54],"诗句","剧本","韵文","下面哪一项是剧诗作家进行艺术形象构思所要用到的?()",{"answer":57,"createTime":5,"id":58,"options":59,"question":64,"source":29,"type":30},[],65962114,[60,61,62,63],"莺莺","张生","王实甫","红娘","《西厢记》中的人物不包括()",{"answer":66,"createTime":5,"id":67,"options":68,"question":73,"source":29,"type":30},[],65962115,[69,70,71,72],"戏曲的化妆","戏曲的服装","戏曲的剧本","戏曲的道具布景","下面不属于戏曲舞台美术的是()",{"answer":75,"createTime":5,"id":6,"options":76,"question":18,"source":29,"type":30},[],[8,9,10,11],{"answer":78,"createTime":5,"id":79,"options":80,"question":85,"source":29,"type":30},[],65962117,[81,82,83,84],"不可感性","写实性","抽象性","可感性","下面哪一项是艺术反映生活要求具有的性质?()",{"answer":87,"createTime":5,"id":88,"options":89,"question":94,"source":29,"type":30},[],65962118,[90,91,92,93],"中国","日本","欧洲","非洲","哪国戏剧作家的主要观点是形式为内容让路?()",{"answer":96,"createTime":5,"id":97,"options":98,"question":103,"source":29,"type":30},[],65962119,[99,100,101,102],"元代","明代","清代","后金","文学剧本体制实现改分为上下场分场的较大突破是在()之后"]