[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$f_AwgizSXdcL8c60dIBATg4JMEwrBseuNp87uWgS1ICk":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":16,"related":17,"source":27,"type":28},[],"2023-05-13 09:33:16",8587522,[8,9,10,11],"促逼-摆置-集置","促逼-集置-摆置","摆置-促逼-集置","摆置-集置-促逼",{"courseId":13,"courseImg":14,"courseName":15},"61fc7eab5960e414cf2904554193bb1b","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002Fb36623d28ab92154bd15d95d50ad6eaa.png","艺术哲学：美是如何诞生的","现代技术也是一种"解蔽",但这种解蔽是一种对自然的().现代技术之本质是(),标示其对自然的总体()",[18,29,38,47,56,59,68,77,86,95],{"answer":19,"createTime":5,"id":20,"options":21,"question":26,"source":27,"type":28},[],8587518,[22,23,24,25],"形而上学,作为自然的倾向,是怎样成为可能的","形而上学,作为科学,是怎样成为可能的","先天综合判断是如何可能的","纯粹的自然科学是怎样成为可能的","康德的《纯粹理性批判》的总问题是什么","v1",0,{"answer":30,"createTime":5,"id":31,"options":32,"question":37,"source":27,"type":28},[],8587519,[33,34,35,36],"理性与感性","审美与幻想","想象和实践","记忆和幻想","维柯在《新科学》中首次肯定了()活动的自主性,诗相对于哲学的自主性",{"answer":39,"createTime":5,"id":40,"options":41,"question":46,"source":27,"type":28},[],8587520,[42,43,44,45],"本质","核心","基本","统一","艺术与自然的关系成为古典艺术哲学的最()的关系",{"answer":48,"createTime":5,"id":49,"options":50,"question":55,"source":27,"type":28},[],8587521,[51,52,53,54],"理想","敬畏","信念","信仰","()是对生活世界里面的许多要素的稳定性的一种采纳",{"answer":57,"createTime":5,"id":6,"options":58,"question":16,"source":27,"type":28},[],[8,9,10,11],{"answer":60,"createTime":5,"id":61,"options":62,"question":67,"source":27,"type":28},[],8587523,[63,64,65,66],"古今之变","中西之争","技术困境","价值虚无","西方-中国视域中的现代性难题,对于中国,难题出于"中西-古今"的双重张力中,其中"()"更为根本",{"answer":69,"createTime":5,"id":70,"options":71,"question":76,"source":27,"type":28},[],8587524,[72,73,74,75],"语言","文字","绘画","音乐","哈曼认为最古老的语言是(),是一切速度及其数字比例的生动典范",{"answer":78,"createTime":5,"id":79,"options":80,"question":85,"source":27,"type":28},[],8587525,[81,82,83,84],"唯心主义思潮","实践哲学的开端","历史唯物主义的开端","历史意识的开端","从赫尔德到黑格尔的德意志唯心主义和历史主义传统来看,维柯标志着()",{"answer":87,"createTime":5,"id":88,"options":89,"question":94,"source":27,"type":28},[],8587526,[90,91,92,93],"康德","亚里士多德","哈贝马斯","苏格拉底","尼采认为,悲剧哲学与悲剧艺术相共生,但从( )起这种共生关系被破坏",{"answer":96,"createTime":5,"id":97,"options":98,"question":103,"source":27,"type":28},[],8587527,[99,100,101,102],"思想","言论","想象","行动","亚里士多德认为悲剧的摹仿方式是借助人物的(),而不是叙述"]