[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fBijXYR-pMs4ZVpavyVOvISZ4iV71ZoDsHbKI1YB2ot4":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":15,"related":16,"source":23,"type":24},[],"2024-08-31 02:54:16",1004406830,[8,9,10,11],"沥青法","银盐法","火棉法","干版法",{"courseImg":13,"courseName":14},"https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002F9219774276d74c206a30a13f3e903df4.jpg","[AI课]艺术与审美","创作于1825年的摄影作品《窗外的景致》,曝光时间长达8小时,因为这种技术耗时太长,而没有成为实用摄影术的起点.这件作品是采用以下哪种方法拍摄而成",[17,25,34,45,55,64,73,81,90,93],{"answer":18,"createTime":5,"id":19,"options":20,"question":22,"source":23,"type":24},[],1004406760,[8,9,10,21],"干板法","达盖尔发明的摄影术使用的是()","v2",0,{"answer":26,"createTime":5,"id":27,"options":28,"question":33,"source":23,"type":24},[],1004406769,[29,30,31,32],""国剧之本质,是艺术不是剧本."这说明戏曲表演最本质的特征是其程式化的表演,因此,行当程式、四功五法是戏曲本体之所在","面对西方戏剧的冲击,戏曲不能"破格"、"创格",而应该"守格",只有这样,才能保有中国艺术主体的纯粹性","中国戏曲艺术的总体特征是程式化、歌舞化、虚拟性、综合性","从上世纪三十年代梅兰芳访苏到新世纪初昆曲名列"人类口头和非物质遗产代表作",事实证明,只有最精微的艺术才最能体现一个民族的审美特质","下列关于戏曲艺术的说法,哪一种最为恰当",{"answer":35,"createTime":5,"id":36,"options":37,"question":43,"source":23,"type":44},[],1004406783,[38,39,40,41,42],"《禁闭》","《变形记》","《鼠疫》","《地洞》","《环形废墟》","卡夫卡的众多作品揭示了现当代人类的心理危机,以下哪些选项是他的小说",1,{"answer":46,"createTime":5,"id":47,"options":48,"question":54,"source":23,"type":44},[],1004406788,[49,50,51,52,53],""舞蹈诗"外国没有,它完全是中国人的创造","世界上根本没有什么"舞蹈诗",要适应国际情况,中国也不应当有","在中国仍需生产叙事性舞剧的时候,为鼓励大型抽象表现性舞蹈作品,"舞蹈诗"就是一种必要的形式划分","它符合舞蹈"善于抒情,掘于叙事"的规律","可以强调舞蹈的诗性,没必要设什么"舞蹈诗"","怎样认识中国特有的"舞蹈诗"?今天多数人认为舞蹈是一种"善于抒情,而拙于叙事"的艺术,但我们仍然在大批生产叙事性舞剧",{"answer":56,"createTime":5,"id":57,"options":58,"question":63,"source":23,"type":24},[],1004406796,[59,60,61,62],"纪念性的作品越来越多","雕塑与绘画的区别越来越明晰","雕塑的内容越来越单纯","雕塑越来越强调平民化、生活化,强调融入人们的日常生活","雕塑的审美方式在现、当代发生了怎样的变化",{"answer":65,"createTime":5,"id":66,"options":67,"question":72,"source":23,"type":44},[],1004406797,[68,69,70,71],"[荷兰] 蒙德里安","[俄国] 马列维奇","[俄国] 康定斯基","[意大利] 达·芬奇","有些艺术家的创作带有类似宗教信仰的色彩,本课程"艺术与宗教"一章中有所介绍.以下艺术家中,借助抽象绘画创作来表达宗教精神追求的是",{"answer":74,"createTime":5,"id":75,"options":76,"question":80,"source":23,"type":24},[],1004406801,[77,78,79],"光影作画","瞬间意念","客观记录","摄影的根本属性是( )",{"answer":82,"createTime":5,"id":83,"options":84,"question":89,"source":23,"type":24},[],1004406826,[85,86,87,88],"克莱夫·贝尔","汉斯-格奥尔格·伽德默尔","恩斯特·贡布里希","阿瑟·丹托","《艺术与错觉》一书的作者是( )",{"answer":91,"createTime":5,"id":6,"options":92,"question":15,"source":23,"type":24},[],[8,9,10,11],{"answer":94,"createTime":5,"id":95,"options":96,"question":101,"source":23,"type":24},[],1004406833,[97,98,99,100],"20赫兹—4000赫兹","30赫兹—4000赫兹","500赫兹—3000赫兹","20赫兹—20000赫兹","音乐所用的音大致在( )之间"]