[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fQN1b4yHzIt3Re4lqFOAASwZeDaAZNetpBu6bXN7tBXs":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":15,"related":16,"source":26,"type":49},[],"2024-11-05 23:13:23",1006721068,[8,9,10,11],"一期点缀太平","二期崇尚俭朴","三期规正风俗","四期警惕人心",{"courseImg":13,"courseName":14},"https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002F5fda540c074e767aa835db1d61ec5d07.jpg","美育导论","李渔在《闲情偶寄》的《凡例∙七则》部分提出了"四期"说,其中包括( )",[17,28,37,46,50],{"answer":18,"createTime":5,"id":19,"options":20,"question":25,"source":26,"type":27},[],1006720864,[21,22,23,24],"深刻内涵","审美价值","艺人演绎","教化宗旨","李渔在《香草亭传奇序》中提出情感、表达形式、( )是决定戏曲作品价值高低的三个根本条件","v2",0,{"answer":29,"createTime":5,"id":30,"options":31,"question":36,"source":26,"type":27},[],1006720867,[32,33,34,35],"表情训练","矫正音调","习练姿态","伴奏相宜","李渔从四个角度谈到戏曲艺人的技能培养,其中不包括( )",{"answer":38,"createTime":5,"id":39,"options":40,"question":45,"source":26,"type":27},[],1006720868,[41,42,43,44],"衣冠恶习","声音恶习","动作恶习","语言恶习","李渔提出戏曲艺人应摒弃表演中存在的一些恶习,其中不包括( )",{"answer":47,"createTime":5,"id":6,"options":48,"question":15,"source":26,"type":49},[],[8,9,10,11],1,{"answer":51,"createTime":5,"id":52,"options":53,"question":56,"source":26,"type":57},[],1006721069,[54,55],"对","错","在《香草亭传奇序》中,李渔提出情感、表达形式、教化宗旨是决定戏曲作品价值高低的三个根本条件,也是作品能否流传久远的关键要素.( )",3]