[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$f92uumQohROM2qzuajECow9_5ot3-d6HMUKH1uB9Xqmg":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":10,"question":16,"related":17,"source":23,"type":24},[],"2025-03-18 18:26:31",1066029998,[8,9],"对","错",{"courseId":11,"courseImg":12,"courseName":13,"workId":14,"workName":15},"1000095531","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002Fb92797397bf1205a096e82a0db98efd4.jpg","[公开课]巴蜀石窟艺术","61269519","第八章单元测试","石窟摩崖造像随着高度、体量的增加,其所受到的限制因素也会随之增多. 因此,大型造像需要具有符合特定环境的艺术表现形式.体量高大的造像所产生 的视角及视觉变化,如何与信徒、礼佛者的视觉感官认知保持一致,决定着大型佛教造像的塑造效果和艺术价值.( )",[18,25,30,35,40,45,48,57,62,72],{"answer":19,"createTime":5,"id":20,"options":21,"question":22,"source":23,"type":24},[],1066029903,[8,9],"按照造像量度的相对比例,佛像头部的换算比例为20等份,其头部高度应该为 10米,然而在艺术创作中所雕凿的头部高度远远超过了实际比例,但是大佛的整体形象却十分自然和谐.( )","v2",3,{"answer":26,"createTime":5,"id":27,"options":28,"question":29,"source":23,"type":24},[],1066029908,[8,9],"乐山大佛,以世界之最的大佛著称,大佛通高71米,身高约60米,头部高度14.7米.坐佛的量度与立佛相同,只是自脐部以下略有变化.( )",{"answer":31,"createTime":5,"id":32,"options":33,"question":34,"source":23,"type":24},[],1066029986,[8,9],"巴蜀石窟这些庄严肃穆的精彩大型造像,总是凝结着历代能工巧匠的伟大智慧和创造能力,并且反映了超乎寻常的审美风尚意趣与科技工艺水平,含蕴着相当水平的艺术探求,逐渐发展成为具有鲜明时代、地域特色的雕塑艺术典范.( )",{"answer":36,"createTime":5,"id":37,"options":38,"question":39,"source":23,"type":24},[],1066029990,[8,9],"大型佛教摩崖石窟造像之所以能在巴蜀大量存在并且长期盛行,正是得益于安定富足的社会环境、理想适宜的地质条件、浓郁悠久的宗教信仰及偶像崇拜传统、成熟精湛的技术水平,并由此造就了中国石窟艺术的下半部传奇.( )",{"answer":41,"createTime":5,"id":42,"options":43,"question":44,"source":23,"type":24},[],1066029993,[8,9],"巴蜀石窟的摩崖石刻造像类型可大致分为大佛(窟)、卧佛(窟)以及千佛崖.大佛多凿于纵深高十米甚至数十米的垂直崖壁上,卧佛往往选址于横向崖壁,巴蜀石窟大型佛教造像往往不是独立性的个体,而与周围环境、与周围窟龛造像之间存在较为密切统一的协调关系,是"天人合一"的地形选择.( )",{"answer":46,"createTime":5,"id":6,"options":47,"question":16,"source":23,"type":24},[],[8,9],{"answer":49,"createTime":5,"id":50,"options":51,"question":55,"source":23,"type":56},[],1066030004,[52,53,54],"单尊造像的卓越表达","造像与周围环境的有机统一","七分庄严肃穆","乐山大佛,以大佛著称,主要体现在( )",1,{"answer":58,"createTime":5,"id":59,"options":60,"question":61,"source":23,"type":24},[],1066030009,[8,9],"在北方石窟艺术慢慢没落之际,巴蜀地区依靠安定统一的社会秩序和繁荣昌盛的区域经济,使石窟开凿和摩崖造像日益繁盛.其中,大型佛教造像的刊凿活动不断涌现,甚至大放异彩,并逐步取代北方中原领先地位而跃然成为石窟造像的兴盛中心.( )",{"answer":63,"createTime":5,"id":64,"options":65,"question":70,"source":23,"type":71},[],1066030012,[66,67,68,69],"站立姿势,双手下垂","坐姿,双腿盘起(结跏趺坐),双手结禅定印","卧姿,右胁而卧","行走姿势,一手托钵,一手持杖","在佛教艺术中,哪种姿势的佛像最常被用来代表佛陀在菩提树下悟道成佛的瞬间?( )",0,{"answer":73,"createTime":5,"id":74,"options":75,"question":76,"source":23,"type":24},[],1066030018,[8,9],"佛教艺术初传中国,沿北方丝绸之路,经新疆、敦煌、麦积山、云冈、龙门等地,开凿了大批南北朝至隋唐的造像,并且在隋唐达到高峰时期.( )"]