[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fH2HzjFRZxagkrCOHUpWES9heCynkuqGgWaTwP0bI4Ew":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":13,"question":19,"related":20,"source":30,"type":31},[],"2023-05-07 17:38:09",11278090,[8,9,10,11,12],"丝不如竹,竹不如肉","声中无字,字中有声","无动不歌,无歌不舞","文辞优美,联曲结构","高度写意,意境之美",{"courseId":14,"courseImg":15,"courseName":16,"workId":17,"workName":18},"1000006264","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002Fc050ceb74341280689c95220e92521d2.jpg","“非遗”之首——昆曲经典艺术欣赏","6421665","第一章单元测试","昆曲演唱的美感有哪些方面的特点",[21,32,41,50,58,67,70],{"answer":22,"createTime":5,"id":23,"options":24,"question":29,"source":30,"type":31},[],11277844,[25,26,27,28],"选择适合昆曲的伴奏乐器","采用鼓板&quot;控制节奏&quot;","运用笛箫&quot;衬托旋律&quot;","改造弦索类乐器","魏良辅如何完善昆曲的伴奏","v2",1,{"answer":33,"createTime":5,"id":34,"options":35,"question":40,"source":30,"type":31},[],11277871,[36,37,38,39],"调理腔调和语音的关系","完善和提升曲调的音乐性","兼容并蓄融合南北曲为一炉","伴奏场面和乐队编制的完善","魏良辅究竟对昆山腔做了哪些改造",{"answer":42,"createTime":5,"id":43,"options":44,"question":49,"source":30,"type":31},[],11277945,[45,46,47,48],"字清","腔纯","板正","声美","魏良辅提出的&quot;曲有三绝&quot;,指的是哪&quot;三绝&quot;",{"answer":51,"createTime":5,"id":52,"options":53,"question":57,"source":30,"type":31},[],11277958,[54,55,56],"昆腔传奇显现了永恒的人性之美","表现忠贞爱情题材的作品和人物形象","美好人生的寄托和希望","昆曲传奇的人文之美体现在几个方面",{"answer":59,"createTime":5,"id":60,"options":61,"question":66,"source":30,"type":31},[],11278082,[62,63,64,65],"李玉《千钟禄》","梁辰鱼《浣纱记》","洪昇《长生殿》","李玉《占花魁》","&quot;家家收拾起,户户不提防&quot;指哪两出戏",{"answer":68,"createTime":5,"id":6,"options":69,"question":19,"source":30,"type":31},[],[8,9,10,11,12],{"answer":71,"createTime":5,"id":72,"options":73,"question":79,"source":30,"type":31},[],11278141,[74,75,76,77,78],"时空的高度自由","表演的程式化","砌末(道具)的虚拟化","人物的行当化","昆曲是心灵化的艺术","昆曲的写意之美体现在几个方面"]