[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fK7HUvINIsKtJxYf4HOJh8DN3n32QbTpTdxauWc-bOJ0":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":18,"related":19,"source":29,"type":30},[],"2023-05-07 18:55:19",2103021,[8,9,10,11],"马图拉","健陀罗","白沙瓦","卡拉奇",{"courseId":13,"courseImg":14,"courseName":15,"workId":16,"workName":17},"1000006345","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002Fcc3e0ef9e013a0fd2d70c19ca0a46fbd.jpg","敦煌的艺术","1367912","敦煌的艺术教程考试","北魏259窟禅定佛&quot;袈裟贴身&quot;的特点,是受到印度北部______佛教艺术中湿衣贴身风格的影响",[20,31,39,44,53,60,69,78,81,90],{"answer":21,"createTime":5,"id":22,"options":23,"question":28,"source":29,"type":30},[],2102956,[24,25,26,27],"50","80","100","150","隋朝短短几十年,但在敦煌建造的石窟______余个","v2",0,{"answer":32,"createTime":5,"id":33,"options":34,"question":37,"source":29,"type":38},[],2102958,[35,36],"对","错","保护的目的是真实、全面地保存并延续其历史信息及全部价值",3,{"answer":40,"createTime":5,"id":41,"options":42,"question":43,"source":29,"type":38},[],2102959,[35,36],"自上世纪八十年代以来敦煌研究院在对待重层壁画揭取问题上更加慎重,到目前为止,没有实施过任何形式的揭取活动",{"answer":45,"createTime":5,"id":46,"options":47,"question":52,"source":29,"type":30},[],2103000,[48,49,50,51],"卫青","霍光","霍去病","周勃","公元前121年大将______驱逐了盘踞在敦煌和河西走廊的匈奴",{"answer":54,"createTime":5,"id":55,"options":56,"question":59,"source":29,"type":30},[],2103008,[57,8,58,11],"白沙瓦地区","伊斯兰堡","健陀罗地区即今日巴基斯坦的______地区",{"answer":61,"createTime":5,"id":62,"options":63,"question":68,"source":29,"type":30},[],2103011,[64,65,66,67],"杨广","展子虔","郑法士","杨坚","隋代______在天台宗受戒后,推崇三身佛",{"answer":70,"createTime":5,"id":71,"options":72,"question":77,"source":29,"type":30},[],2103018,[73,74,75,76],"《步步生莲》","《丝路花雨》","《大梦敦煌》","《飞天》","50年代著名舞蹈家戴爱莲的作品______是新中国第一部取材于敦煌壁画的双人舞",{"answer":79,"createTime":5,"id":6,"options":80,"question":18,"source":29,"type":30},[],[8,9,10,11],{"answer":82,"createTime":5,"id":83,"options":84,"question":89,"source":29,"type":30},[],2103023,[85,86,87,88],"舞姬","七仙女","神仙","织女","中国民众将飞天就理解为中国本土的______",{"answer":91,"createTime":5,"id":92,"options":93,"question":94,"source":29,"type":38},[],2103052,[35,36],"隋代第45窟的山峦表现具有划时代的意义,即对近景的细致表现以区别于远景,从而推动了对空间的营造"]