[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fs8D8enTTonwRCcBzBDNRs4bHY6rh7boiiL9j9taSrRA":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":18,"related":19,"source":29,"type":30},[],"2023-05-07 17:37:05",897034172,[8,9,10,11],"对经典叙事理解的隔阂和意义消解","不利于古典资源的现代性创作","对古典资源的污蔑和诋毁","异化观众的审美水平",{"courseId":13,"courseImg":14,"courseName":15,"workId":16,"workName":17},"1000006158","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002F0e0d2b9a6a48deca3148a704339009bc.jpg","从文学到电影","40262089","第四章单元测试","消费性视觉狂欢带来的弊端是",[20,31,40,49,58],{"answer":21,"createTime":5,"id":22,"options":23,"question":28,"source":29,"type":30},[],897034050,[24,25,26,27],"参考","剽窃","戏仿","提喻","按照互文性的观点,《大话西游》是对中国古典神魔小说《西游记》的","v2",0,{"answer":32,"createTime":5,"id":33,"options":34,"question":39,"source":29,"type":30},[],897034060,[35,36,37,38],"严格转换","取其核心,重新阐释","原作仅仅是素材","三种改编方式无所谓好坏","克莱·派克的认为有三种电影改编方式,其中最好的改编方式是",{"answer":41,"createTime":5,"id":42,"options":43,"question":48,"source":29,"type":30},[],897034068,[44,45,46,47],"叙事学理论视野下的电影改编研究受到结构主义和后结构主义的影响,注重对电影"语法单位"的分析","改编中应该注意故事、时空、背景等对象的取舍","在媒介转变过程中,要考量文学转换为电影空间媒介在时间的转换、故事恒定意义的保持等方面","媒介的物质载体对不同故事的影响不同,压强一样","对于叙事学视野下的电影改编,以下表述错误的是",{"answer":50,"createTime":5,"id":51,"options":52,"question":57,"source":29,"type":30},[],897034163,[53,54,55,56],"可以任意涂抹、随意改编","既要尊重原作时代,也要兼顾自身所在的时代","最大程度的贴近文本","电影可以进行全新的阐述,原作仅仅为电影提供素材","根据波高热娃的观点,名著改编应该",{"answer":59,"createTime":5,"id":6,"options":60,"question":18,"source":29,"type":30},[],[8,9,10,11]]