[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fexdmHi8k5yy7acibI2HsmfjlDy0ZRGNfoN4G1ryrMIo":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":18,"related":19,"source":29,"type":30},[],"2023-05-08 10:28:04",969267976,[8,9,10,11],"视觉感发力","视觉售卖力","视觉审美力","视觉平衡力",{"courseId":13,"courseImg":14,"courseName":15,"workId":16,"workName":17},"1000007383","https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002F1bff8009a22b4078b835a771f84cb6c4.png","艺术创意与策划","55289902","艺术创意与策划教程考试","结合了中国古典元素的房地产平面广告从广告艺术创意的角度体现了( )",[20,31,40,48,60,70,75,80,85,90],{"answer":21,"createTime":5,"id":22,"options":23,"question":28,"source":29,"type":30},[],969267841,[24,25,26,27],"初选","终选","调研","验收","以下不属于《中国大学生微电影创作大赛》的流程的是( )","v2",0,{"answer":32,"createTime":5,"id":33,"options":34,"question":39,"source":29,"type":30},[],969267857,[35,36,37,38],"法兰克福文具展","韩国文具展","日本文具展","香港国际","ISOT指的是( )",{"answer":41,"createTime":5,"id":42,"options":43,"question":46,"source":29,"type":47},[],969267867,[44,45],"对","错","艺术项目所产生的是以艺术审美为要素的艺术产品或者艺术服务. ( )",3,{"answer":49,"createTime":5,"id":50,"options":51,"question":58,"source":29,"type":59},[],969267875,[52,53,54,55,56,57],"文字","标记","符号","图案","颜色","算法","品牌通常由哪几种要素组合构成( )",1,{"answer":61,"createTime":5,"id":62,"options":63,"question":69,"source":29,"type":59},[],969267885,[64,65,66,67,68],"经济效益","文化效益","品牌效益","政治效益","复制创意","&quot;印象中国&quot;系列的优势涉及到( )哪几个方面",{"answer":71,"createTime":5,"id":72,"options":73,"question":74,"source":29,"type":47},[],969267898,[44,45],"宫崎骏是一代动漫大师,他的动漫作品大多涉及人类与自然之间的关系、和平主义及女权运动,将梦想、环保、人生、生存主题思考等融入动漫中.他的作品在全球动画界具有无可替代的地位. ( )",{"answer":76,"createTime":5,"id":77,"options":78,"question":79,"source":29,"type":47},[],969267919,[44,45],"创意指数被视为体现一个地区长期经济潜力的&quot;晴雨表&quot;.而那些创意指数较高的地区称做&quot;创意博物馆&quot;. ( )",{"answer":81,"createTime":5,"id":82,"options":83,"question":84,"source":29,"type":47},[],969267935,[44,45],"从​官渡之战、赤壁之战到夷陵之战,采用了火攻战术的移植,取得了突出的效果.( )",{"answer":86,"createTime":5,"id":87,"options":88,"question":89,"source":29,"type":47},[],969267945,[44,45],"迈克&middot;费瑟斯通认为日常生活审美化正在消弭艺术和生活之间的距离,在把&quot;生活转换成艺术&quot;的同时也把&quot;艺术转换成生活&quot;,包括两个层面:一是艺术和审美进入日常生活,被日常生活化;二是日常生活中的一切,特别是大工业批量生产中的产品以及环境被审美化.( )",{"answer":91,"createTime":5,"id":6,"options":92,"question":18,"source":29,"type":30},[],[8,9,10,11]]