[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fnO2J_xHlD3zsO4-gNre48UEZxf_bDV90R_Eck8r1oJ4":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":15,"related":16,"source":26,"type":27},[],"2023-12-25 03:37:13",981883224,[8,9,10,11],"要根据不同的山体树木结构正确选用相应的皴法","要根据山体树木受光和背光的情况,正确选用相应的皴法来表现","皴法用笔的浓淡、虚实和形态的变化应与山石结构相结合","一幅画中,出现多种皴法并用时,应注意以一种皴法为主,且各种皴法结合要自然,协调统一",{"courseImg":13,"courseName":14},"https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002F29e536727409a0e66a8ea3de3552fc5a.jpg","走近山水画","皴法作为山水画重要的表现语言,在画时需要注意什么",[17,28,36,41,44,54,61,70,75,80],{"answer":18,"createTime":5,"id":19,"options":20,"question":25,"source":26,"type":27},[],981883141,[21,22,23,24],"&quot;意出尘外&quot;","&quot;意象萧爽&quot;","&quot;平淡天真&quot;","&quot;精谨细腻&quot;","古代文人士大夫赞赏的是 、 、 的山水画","v2",1,{"answer":29,"createTime":5,"id":30,"options":31,"question":34,"source":26,"type":35},[],981883177,[32,33],"对","错","&quot;在画山水画时,笔杆垂直于纸面,笔锋尖部始终处于墨线的边缘,这样画出的线条圆润、厚重、挺拔&quot;.这句话是对中锋行笔的描述",3,{"answer":37,"createTime":5,"id":38,"options":39,"question":40,"source":26,"type":35},[],981883210,[32,33],"中国山水画在发展过程中,受儒家思想的影响最大",{"answer":42,"createTime":5,"id":6,"options":43,"question":15,"source":26,"type":27},[],[8,9,10,11],{"answer":45,"createTime":5,"id":46,"options":47,"question":52,"source":26,"type":53},[],981883415,[48,49,50,51],"董源","荆浩","李思训","李成","()的画风影响极大,自北宋巨然、米芾至元倪瓒、黄公望及明代沈周、文征明、董其昌等,都传其画法",0,{"answer":55,"createTime":5,"id":56,"options":57,"question":60,"source":26,"type":53},[],981883450,[48,49,58,59],"关仝","巨然","在表现方法上,五代()用纯朴的墨线作皴,但是每笔线条并不长,所以又有圆浑的感觉.这种墨线,有时还加用浑点,足以表现江南湿润的气象",{"answer":62,"createTime":5,"id":63,"options":64,"question":69,"source":26,"type":27},[],981883515,[65,66,67,68],"王诜","许道宁","郭熙","米芾","在北宋,受李成影响的画家有()、()和()",{"answer":71,"createTime":5,"id":72,"options":73,"question":74,"source":26,"type":35},[],981883528,[32,33],"《画云台山记》里有一句话,&quot;山有面,则背向有影&quot;.&quot;山有面&quot;,是对山石的立体感而言.&quot;背向有影&quot;,是描述物体受日光照射所产生的现象.这说明早在1600多年前,我国画家就注意到&quot;明暗&quot;关系,并在画中积极处理这种关系",{"answer":76,"createTime":5,"id":77,"options":78,"question":79,"source":26,"type":35},[],981883623,[32,33],"李思训父子的绘画是初唐时期最有影响的山水画派",{"answer":81,"createTime":5,"id":82,"options":83,"question":88,"source":26,"type":27},[],981883630,[84,85,86,87],"儒","道","仙","佛","《画山水序》是一篇融 、 、 三家思想于一炉的画学文章"]