[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$f8vNhh_rnWsD33pTuzVRQKWio68Hf8ykPILqwrTqfnNM":3},{"answer":4,"createTime":5,"id":6,"options":7,"origin":12,"question":15,"related":16,"source":25,"type":40},[],"2024-06-21 02:25:27",988394713,[8,9,10,11],"只使用踏板表现歌唱性","只使用手指表现歌唱性","使用踏板表现歌唱性是基础,结合指法是锦上添花","精心设计指法,先使用手指表现歌唱性,再结合踏板锦上添花",{"courseImg":13,"courseName":14},"https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002Fb959dbad3aad67c1d0d43b36aff9df7d.png","古典时期钢琴演奏传统","在演奏中,表现歌唱性的正确方式是( )",[17,27,32,37,41,50],{"answer":18,"createTime":19,"id":20,"options":21,"question":24,"source":25,"type":26},[],"2024-06-21 02:25:28",988392301,[22,23],"对","错","演奏古典主义时期钢琴作品时,运用常规延音踏板时要注意:织体的清晰度、句法、奏法绝不能含糊不清.( )","v2",3,{"answer":28,"createTime":19,"id":29,"options":30,"question":31,"source":25,"type":26},[],988393462,[22,23],"圆滑连奏在谱面上是有连线标记的,而颗粒连奏没有.( )",{"answer":33,"createTime":19,"id":34,"options":35,"question":36,"source":25,"type":26},[],988393963,[22,23],"由钢琴家艾德温&middot;菲舍尔(Edwin Fischer)编订,南京师范大学出版社引进的莫扎特奏鸣曲版本是原始版.( )\u003Cimg src=\"https:\u002F\u002Ftihai-oss-cloud.itihey.com\u002Fimg\u002F14e410bdfe193bc6605ba9758ece63d9.png\">",{"answer":38,"createTime":5,"id":6,"options":39,"question":15,"source":25,"type":40},[],[8,9,10,11],0,{"answer":42,"createTime":19,"id":43,"options":44,"question":48,"source":25,"type":49},[],988394867,[45,46,47],"只需高声部演奏连贯","运用同音换指的方法","指法的变化随时在发生,在特定的时候要做特定的设计","在演奏复调作品中需连贯的片段时,常见的指法设计要遵循( )",1,{"answer":51,"createTime":19,"id":52,"options":53,"question":54,"source":25,"type":26},[],988397331,[22,23],"速度标记的内涵是指:作曲家的速度标记不仅有对速度的要求,还蕴含对作品性格、情绪的诠释,更重要的是代表着作品的精神.( )"]